His work, which has been exhibited in Brazil, Germany, France, and Guatemala, is part of public and private collections in these countries, including the Maison Europeenne de La Photographie (Paris) and the Museum of the City of São Paulo. He is an integrated researcher of IHC at Universidade Nova de Lisboa.įelipe Russo (São Paulo, 1979) is the author of two books: Centro (2014) and Garagem Automática (2020). He exhibits regularly since 1997 and his photographs are part of public and private collections in several countries. Paulo Catrica (Lisbon, 1965) is the author of the monographs Memorator (2015), Mode d'emploi (2014), TNSC (2011), and Liceus (2005). He has been teaching since 2000 at the Escola Superior de Arte e Design, in Caldas da Rainha. His work is part of several European public and private collections, having been exhibited in places like Centro Cultural de Belém (Lisbon), Fundació Foto Colectanea (Barcelona), Parc de La Villette (Paris), Galeria Olido (São Paulo), Kunstlerhaus Bethanien (Berlin). Fulbright (2010) and Gulbenkian (19) scholar. Pedro Letria (Lisbon, 1965) is the author of seven books, including Mármore (2007) and The Club (2014). Humberto Brito “Monumentos e Anti-Monumentos”įelipe Russo “Centro e Garagem Automática”Īndré Cepeda e David-Alexandre Guéniot “Anti-Monumento”
Nélio Conceição “Gestos, afinações, atmosferas: sobre a fotografia e o espaço urbano” Espaços e imaginários urbanos na fotografia e no livro” Pedro Letria and Paulo Catrica “Lisboa, Anos 90” Martins, Nélio Conceição, and Humberto Brito. There will also be three presentations on the relationship between photography and urban spaces, by Susana S. The session will start with the relationship of some photographers with three cities: Lisbon, from the perspectives of Pedro Letria and Paulo Catrica about the last great public commission, Lisboa Anos 90 Porto, from a conversation between André Cepeda and David-Alexandre Guéniot about Cepeda's book, Anti-Monumento (2019) and São Paulo, in a presentation by Felipe Russo about his books Centro and Garagem Automática.
#Piranesi programa series
These results in addition to the drift diagram of structure suggest that the top of the structure is more vulnerable and needed to be rehabilitated.March 18: Photography The second in a series of seminars on "Experiencing the city between Art and Philosophy" is dedicated to photography. The results indicate that the structure is adequate in the gravity loads but significant cracks are started from the opening of the second and third floors and propagate through the dome and its supports in the design earthquake (475-year return period). Gravity, pushover and nonlinear dynamic analyses were conducted to study the behavior of structure under service and seismic load.
#Piranesi programa crack
The extended FEM method (XFEM) was used to consider crack formation and propagation. In this paper, the vulnerability of the structure was studied by FEM model which was verified by previous experimental and analytical studies. It suffered significant damages during its lifetime therefore, preservation of that from the future destruction is vital. Soltaniyeh dome is the largest brick dome in the world and registered in UNESCO’s world heritage site that makes it one of the most important historical buildings in Iran.
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